By Christy Mag Uidhir
Few philosophers agree approximately what it's for anything to be paintings yet so much or all agree that paintings has to be by some means intention-dependent. magazine Uidhir exhibits that this requirement has radical implications for the character of artwork and of paintings kinds, for the ontology of paintings, and for concerns approximately authorship.
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Extra info for Art and art attempts
27 For example, presumably being a space–time object is a trivial necessary condition for being a chair. Now consider being an artifact. , chair only if artifact), but at ﬁrst blush it also seems to be substantively so. However, closer scrutiny reveals being an artifact to be a trivial necessary condition for being a chair. That is, although being a chair entails being an artifact, being an artifact is not itself a distinct, substantive condition a thing must satisfy in order to be a chair. To illustrate this slightly better, suppose for sake of argument the following crude deﬁnition of what it is to be a chair: Something is a chair just in case that thing (i) is made for the purpose of being sat upon, and (ii) is able to be sat upon as the result of being so made.
That is, w comes to be regarded in way r1 in manner É as the result of the r1-attempt, and so w is art. First Putative Failed-Art Case: w is the product of a failed r1-attempt. That is, w is not regarded in way r1 as the result of the r1-attempt, and so w is not art but failed-art. Second Putative Failed-Art Case: w is the product of a failed r1-attempt. That is, w is regarded in way r1 but not in manner É as the result of the r1-attempt, and so w is not art but failed-art. Putative Non-Art Case: w is the product of an r1-attempt, but w is regarded in way r1 only by pure accident.
19 For Levinson, to (non-passingly) form the appropriate intention is ipso facto to succeed in making art. As a result, the “failure” to make art entails, not the failure of an art-attempt, but merely the absence of the appropriate intention, from which it follows that there can be no such thing as a failed-art-attempt and ipso facto no such thing as failed-art. , That the arrangement of Bok globules in IC 2944 be regarded for its formal properties. That the power set of the Reals (the set of Real Numbers) be regarded for its expressive properties.
Art and art attempts by Christy Mag Uidhir