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By Patrick Colm Hogan

ISBN-10: 1107115116

ISBN-13: 9781107115118

Fresh many years have witnessed an explosion in neuroscientific and similar study treating aesthetic reaction. This publication integrates this study with insights from philosophical aesthetics to suggest new solutions to longstanding questions on attractiveness and sublimity. Hogan starts off by way of distinguishing what we reply to as attractive from what we count number socially as appealing. He is going directly to learn the previous by way of info processing (specifically, prototype approximation and non-habitual development popularity) and emotional involvement (especially of the endogenous present and attachment systems). throughout the ebook, Hogan examines such matters as how common rules of aesthetic reaction could be reconciled with person idiosyncrasy, the way it is feasible to argue rationally over aesthetic reaction, and what function own attractiveness and sublimity may well play within the definition of paintings. to regard those concerns, the booklet considers works by means of Woolf, Wharton, Shakespeare, Arthur Miller, Beethoven, Matisse, and Kiran Rao, between others.

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Extra resources for Beauty and Sublimity: A Cognitive Aesthetics of Literature and the Arts

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The war had prevented these simple and formerly habitual patterns. 21 This treatment of habituation and dis-habituation also suggests the difference between individual aesthetic response and putatively “objective” beauty, what I have been calling “public” beauty. Whether one considers “the bellow and the uproar” (4) of ordinary life to be aesthetic, it is clear that someone who has gone through the war and someone who has not will have a different response to the regularities of ordinary life. Needless to say, experience of war is not the only differentiating factor in aesthetic response.

25 Indeed, this is what makes parallels striking and powerful in the patterns of life. It is as if Clarissa and the flowers are the same as both nod in the flower shop; it is as if the entire coordinated crowd in London is one being with a single mind when Clarissa feels 25 Other authors have found the idea of oneness to be important in aesthetics. See, for example, Zeki on “unity-in-love” (Splendors 150–157). Literary aesthetics 39 aesthetic joy. Again, beauty flows over her, immerses her, like a wave (13).

Indeed, it is difficult to say just what it would mean for prototype approximation to apply to literature. Prima facie it seems that literary works are too complex to be a function of any single prototype. For example, it seems unlikely that we would find the most prototypical sonnet to be the most beautiful. There are more or less prototypical story sequences. These may be correlated with preferences. But that may be a matter of other factors, such as interest in preferred final outcomes, as Ed Tan would put it.

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Beauty and Sublimity: A Cognitive Aesthetics of Literature and the Arts by Patrick Colm Hogan


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