By Mario Bussagli
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Additional info for Chinese Painting
Thus painting served both as a historical and as a day-to-day record, fulfilling the task both of commemoration (with highly imaginative characterisa- 55 m
For this reason, Chinese painting has had 32 if f If -^ r'- ¥ V' *t ,^ r^ ^sl ft'fi 13. Ku K'ai-chih (c. 344-c. 406). The Nymph of the Lo River (detail). Sung copy of the original scroll illustrating the poenn of the same name by Ts'ao Chih. Freer Gallery of Art, Washington. 33 Ku K'ai-chih (c. 344-c. 406). The Nymph of the Lo River Sung copy of the original scroll illustrating the poem of the same name by Ts'ao Chih. Freer Gallery of Art, Washington. Even in the copy Ku K'ai-chih's stylistic characteristics stand out especially in the relationship between the trees and the human figures which the copyist, however, has made heavier.
Hui-tsung (1082-1135) (attributed). Mountain Landscape with Autumn Co/ours. Sung dynasty. National Palace and Central Museum Collections, Taichung (Taiwan). Hanging scroll in ink and a little colour on silk. The painter is striving to combine picture and text closely and the latter becomes an integral part of the composition. Chao Po-chij (1120-1182) (attributed, but perhaps a 12th-century copy of the original). Pa/aces of Han. Sung dynasty. National Palace and Central Museum Collections, Taichung (Taiwan).
Chinese Painting by Mario Bussagli