Download e-book for iPad: Color — Communication in Architectural Space by Meerwein, Rodeck, Mahnke (auth.)

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By Meerwein, Rodeck, Mahnke (auth.)

ISBN-10: 3764375965

ISBN-13: 9783764375966

ISBN-10: 3764382864

ISBN-13: 9783764382865

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Additional info for Color — Communication in Architectural Space

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He elaborates: many proved that “white” classical Greek architecture was originally adorned with bright colors. The ensuing “poly- Structure is the immutable composition of a material, for chrome dispute” over the theories of archeologist Johann example, the crystalline structure of metal, the Joachim Winckelmann subsequently engendered a wide cellular structure of wood, and the fibrous struc- range of movements in the 19th and 20th centuries. John Ruskin believed that “materials should be the only colors in ture of paper.

Daylight is the most balanced type of white light because sunlight reflects each hue in the spectrum equally. This light, however, does not have a consistent color of its own. The col- Differences in Luminous Density and Surface Color or temperature of daylight will vary according to how it is re- Extreme light and dark contrasts in a room should be avoid- flected and refracted in the earth’s atmosphere. Daylight thus ed. Differences in luminous density within a person’s field of changes over the course of the day, as well as according to view affects the eye’s adaptation to light and dark.

BIOLOGICAL EFFECT OF LIGHT Visible light, ultraviolet (just beyond the visible spectrum) A great proportion of our lives – living, studying, working, re- and infrared light are crucial for human health. They affect the generating – takes place indoors, in artificially designed human organism through contact with the skin and via the 47 light entering the eye. The eye’s perception of light is not just presence of ultraviolet light has physiological effects, such as limited to the function of vision.

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Color — Communication in Architectural Space by Meerwein, Rodeck, Mahnke (auth.)

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