Cultural Revolution in Iran: Contemporary Popular Culture in by Annabelle Sreberny, Massoumeh Torfeh PDF

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By Annabelle Sreberny, Massoumeh Torfeh

ISBN-10: 1780760892

ISBN-13: 9781780760896

The Islamic Republic of Iran has entered its fourth decade, and the values and legacy of the Revolution it was once based upon proceed to have profound and contradictory effects for Iranian existence. regardless of the repressive energy of the present regime the monstrous creativity of well known cultural practices, that negotiate and face up to a repressive procedure, is a powerful and dynamic strength. This publication attracts at the services and event of Iranian and overseas teachers and activists to deal with varied components of social and cultural innovation which are riding switch and development. whereas non secular conservatism continues to be the creed of the institution, this quantity uncovers an underground global of latest know-how, media and leisure that speaks to ladies looking a better public position and a stressed more youthful iteration that organizes and engages with worldwide tendencies on-line.

A selection journal impressive educational identify selection.

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Additional info for Cultural Revolution in Iran: Contemporary Popular Culture in the Islamic Republic

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His garish necklace was the logo of Metal Blade, but he knew little about the band and its social background or attitudes. A majority of these boys have girlfriends in the Western sense of the term, and most of their relationships are sexual despite it being evidently forbidden in Islam. Paradoxically, they would never tolerate their own sister engaging in such a relationship. It seems that these boys are non-reflective about their way of life and do not care about ensuring any particular sense of homogeneity in it.

They could fairly be categorised as non-reflective people whose main criterion for action is life enjoyment. They rarely think about religion and its 38 CULTURAL REVOLUTION IN IRAN restrictions and their participation in religious ceremonies is mostly for entertainment. They spend their free time getting together and watching music clips and films through satellite channels rather than reading books, newspapers or journals. Even though they claim that they are selective, it seems that the juxtaposition of the different parts of their lives is unconsciously based on their demand for enjoyment from life.

Distinctive’ boys and girls typically choose their partners from the ‘distinctive’ type either because that is what they find the most appealing or in order to prevent cultural problems posed by those with different world views. They do not consider official marriage necessary to cohabitate. Going on vacation with their partners and hosting mixed-gender parties are popular pastimes for them. These young people have their own communities and they work and live within this cultural world. Because they try to minimise the chance of confrontation with the dominant Islamic and traditional order, it is very hard to regard them as being overtly resistant against the dominant culture.

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Cultural Revolution in Iran: Contemporary Popular Culture in the Islamic Republic by Annabelle Sreberny, Massoumeh Torfeh


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